These films constitute the directorial debut of my frequent collaborator (and girlfriend) Sarah Duff. She's made short form performance movies as showcases of new songs and to keep in touch with people but these are the first films she's made to be more than simple deliveries of a song or a message and I think they're special. And I'm not just saying that. I think they work pretty well as a double feature given that they're both shot on grainy HD in Bar Harbour, Maine and have experimental structures. Both films are impressionist and benefit from expert use of natural lighting, something she picked up on immediately and used splendidly. Enjoy!
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